Maritime Fellowship Award for ‘Immense Contribution’

Iain Ballantyne has been saluted with a Maritime Fellowship at the UK’s Maritime Media Awards 2017, which were held at the Institute of Directors in Pall Mall, London.

One of the UK maritime community’s headline awards, Iain received it for his ‘immense contribution to the maritime cause’ since 1990, as a journalist, author of naval history books and Editor of WARSHIPS International Fleet Review magazine (from 1998 to the present).

One of numerous lead stories Iain Ballantyne wrote during his time as the Defence Reporter of the Evening Herald, Plymouth in the 1990s.

The Maritime Fellowship citation highlighted Iain’s varied endeavours across his career, including covering aspects of the fall of the Soviet Union as a newspaper reporter, along with other assignments including the 1990/91 Gulf War and peace talks aboard a frigate in the Adriatic.

A depiction of the end of the Cold War between the Royal Navy and Soviet Navy in the Barents Sea, one of the historic events Iain Ballantyne covered during his time as a newspaper reporter. Iain Ballantyne is among the figures waving to the Gromky (background) from the bridge roof of HMS London (foreground). Painting by Ross Watton © 2013. For more on the work of Ross Watton visit www.navalbroadsides.co.uk

The citation saluted Iain’s‘authoritative and well-received books’ and added: ‘Few of today’s maritime writers have his breadth of experience, his instinct for a story, or his ability to undertake a tenacious, critical and careful search for the truth.’

More than 200 prominent members of the international maritime community and media gathered to take part in the established annual event, now in its 22nd year, and established by the Maritime Foundation to honour the memory of legendary Fleet Street naval correspondent Desmond Wettern.

This year the awards were presented by the First Sea Lord, Admiral Sir Philip Jones, who said: “I’d like to congratulate our prize winners, together with all those nominated. We are truly fortunate to have so many diverse, creative and persuasive communicators to spread this message of maritime opportunity far and wide.”

In accepting his award, Iain thanked the Maritime Foundation, organizers of the Maritime Media Awards, and First Sea Lord for making the presentation.

The most absorbing task of the past two decades for Iain has been establishing and running the global naval news magazine WARSHIPS IFR, which he established at the invitation of UK-based publisher Derek Knoll who attended the dinner along with his daughter Christine, who continues to play a key role in the running of the magazine.

Iain expressed his heartfelt appreciation to Derek for having ‘taken a punt’ on what remains the only naval news magazine of its kind in the world, giving him the opportunity to edit WARSHIPS IFR and also to Christine and her sister Alison for all their hard work.

Also at the awards dinner was WARSHIPS IFR Associate Editor Peter Peter Hore whose perceptive prose and commentaries have considerably enlivened the magazine since its early days.

The globally distributed contributors to the magazine around the world have, said Iain, ensured there is barely a place where a naval activity is not recorded visually and reported on, and so they deserve commensurate high praise for all their efforts. One other key player from the magazine’s editorial team who was present at the awards dinner was Usman Ansari, who is the presiding Chief Analyst, writing commentaries, analysis and news items.

Iain Ballantyne (centre) with his WARSHIPS IFR colleagues and friends Usman Ansari (left) and Peter Hore (right) at the awards dinner in London.

WARSHIPS IFR’s strength resides in its world-wide analysts and commentary writers, not least the fiery Odin who speaks truth to power via his popular monthly leader column ‘Odin’s Eye’. Many times over the years there have been enquiries as to who the incredibly well informed, astonishingly perceptive and often rather blunt ‘Odin’ is, but his (or her) true identity remains a secret. Iain suggested that keeping his acceptance speech short was important to avoid provoking Odin, who might otherwise start hurling bread rolls from the back of the room.

Iain made a special point of saluting the fantastic men and women of today’s world’s navies and Royal Navy in particular, for their work around the Globe to preserve maritime security, and thanked the veterans of wars who have made his books a success.

In fact Iain expressed his gratitude to everyone whom he has worked with across his career in newspapers, magazines and the publishers of his books, including Pen & Sword Books and Orion Publishing. It was for Orion that Iain wrote ‘Hunter Killers’ (2013), a ground-breaking book on the British experience of submarine operations in the period of the late 1940s to early 1990s.

Iain thanked Captain Doug Littlejohns and Commander Rob Forsyth for joining him at the awards dinner. The two distinguished former submarine captains – who both commanded the nuclear-powered attack submarine HMS Sceptre during the Cold War – played a key role as technical advisors for ‘Hunter Killers’ – providing him with his own version of The Perisher course (almost). It’s worth noting here that the book also told the story of their adventures in the Submarine Service, as well as fellow submarine captains Cdr Tim Hale and Capt Dan Conley among other underwater warriors, most notably Michael Pitkeathly (Pitt.k).

Iain’s next book ‘The Deadly Trade: The Complete History of Submarine Warfare from Archimedes to the Present’ is to be published in March 2018 by W&N and has again benefitted from the technical advice of his submariner friends.

Lastly, Iain paid tribute during the acceptance speech to the late Desmond Wettern as an inspiration, whom he hoped “was smiling down from heaven on the thriving pursuit of naval writing in the UK today, which may not quite be the old school variety of days gone by – when newspapers were king – but has evolved to match the times and new technology.”

For more on the awards: https://www.bmcf.org.uk/category/news/

The Soviet Spy Who Built British Warships

The Soviet Union’s top spy in America during the 1950s used the cover name Rudolf Abel but was in truth William August Fisher. Born on Tyneside, in the north east of England, in 1903, Fisher worked at Swan Hunter as a teenage apprentice draughtsman when the shipyard was constructing both warships and merchant vessels.

In 1957 the FBI apprehend Fisher in a New York hotel after busting into his room, bringing to an end his bid to set up a spying network seeking out intelligence on American nuclear weapons, including the Polaris Submarine-Launched Ballistic Missile (SLBM).

The parents of ‘Colonel Abel’, as he was known in the USA during his trial, were anti-Tsarist political activists who returned to Russia in 1921 after the communists seized power. Fisher worked in signals intelligence for the Soviets during WW2 before utilising his British upbringing to successfully insert himself undercover in the USA in the late 1940s.

At one stage he worked alongside Konon Molody, who, as ‘Gordon Lonsdale’ in the early 1960s would run the notorious Portland Spy Ring in the UK, stealing secrets of the Royal Navy’s first nuclear-powered submarine, HMS Dreadnought.

Steven Spielberg’s movie ‘Bridge of Spies’ begins by masterfully plunging us into ‘Abel’s’ humdrum life in late 1950s USA as he tries to go about his espionage as unobtrusively as possible. The spy, a talented artist, takes an easel and paints with him for some landscape work to cover a visit to a dead letter drop.

Berlin-wall
An East German policeman stands guard over a worker constructing the Berlin Wall, to ensure he does not try to escape to the West. Former US Navy officer turned lawyer James Donovan had to cross from West to East Berlin to negotiate for the spy swap on the so-called ‘Bridge of Spies’, as featured in the Steven Spielberg movie. Photo: U.S. Information Agency.

‘Abel’ (Mark Rylance) is later arrested in his underpants back at the hotel and put on trial (fully clothed). He is defended by insurance lawyer, and former US Navy officer, James Donovan (Tom Hanks) who had also been an advocate at the post-war Nuremberg war crimes trials. Despite public outrage Donovan manages to get Abel sentenced to prison rather than receive the death penalty.

A picture is worth a thousand words: In October 1961, the shadows of two West Berliners waving to friends across the East-West border fall symbolically upon the concrete of the newly-built wall in a frame of barbed wire. Photo: U.S. Information Agency.

Fast forward to early 1962, and Donovan plays a pivotal role in springing shot-down U-2 spy plane pilot Gary Powers (Austin Stowell) from imprisonment in the Soviet Union in exchange for ‘Abel’. The swap takes place on the Glienicke Bridge, which spans a stretch of cold water lying between West and East Berlin. At Checkpoint Charlie – one of the controlled gateways through the newly constructed Berlin Wall – another release takes place simultaneously, of American student Frederic Pryor (Will Rogers) earlier arrested by the East Germans for being a spy.

A picture is worth a thousand words: In October 1961, the shadows of two West Berliners waving to friends across the East-West border fall symbolically upon the concrete of the newly-built wall in a frame of barbed wire. Photo: U.S. Information Agency.

That, in essence, is the core story of ‘Bridge of Spies’. It does play fast and loose with some of the facts but succeeds in powerfully and movingly conveying the big moral issues of the time as well as plunging us convincingly into the places where it all happened.Despite its simplistic boiling down of a complex story it still presents a multi-layered yarn, never resorting to histrionics or pompous moralising. It never gives in to the temptation of having Hanks’ character indulge in ludicrous action man antics or gunplay.

Mark Rylance’s subtle performance preserves the enigma of ‘Abel’ (who during his trial did not reveal his real British identity) while still conveying the inner paradoxes of a cultured man working for a brutal totalitarian state.

‘Bridge of Spies’ (20th Century Fox Home Entertainment) will be released on DVD and Blu Ray formats this spring.

This is a version of a review to be published in the forthcoming March 2016 edition of WARSHIP IFR magazine (due out on February 19). www.warshipsifr.com

Iain Ballantyne is the author of ‘Hunter Killers’ (Orion Books) which tells the story of the Royal Navy’s submariners and submarines during the Cold War.

Among other things, ‘Hunter Killers’ looks at the activities of the Portland Spy Ring and certain aspects of Soviet espionage in the UK that sought to snatch Royal Navy submarine secrets. Iain is currently writing ‘The Deadly Trade’, a history of submarine warfare from Ancient times to today, for the same publisher.

A cult techno-thriller

The Polish edition of ‘Hunter Killers’ has been published by Rebis. It has garnered attention across a range of blogs and on various web sites, not least an article in the Polish edition of ‘Newsweek’.

Polish Newsweek

Reporter Mariusz Nowik suggested that had ‘Podwodni Myśliwi’ (or ‘Underwater Hunters’, as the Polish edition has been re-christened) been published decades earlier, ‘it would have ended up creating an international scandal.’

According to his ‘Newsweek’ piece ‘Underwater Hunters’ manages to ‘reveal scenes of Cold War operations mainly in the Atlantic and the Barents Sea, which until recently were known mainly [only by] retired officers of the Royal Navy and the Soviet submarine forces.’

PolishMag1However, the star turn for raising awareness of ‘Underwater Hunters’ has to be Piotr Wloczyk who interviewed me for an expansive Q&A interview on topics related to the Cold War under the sea. This was published in ‘Historia do Rzeczy’ – a serious major military history magazine, of 100 pages, aimed at the national market – whose production values are exceedingly high.

In his blog, posted at the end of July, Tomasz Borówka asked if ‘Underwater Hunters’ was the ‘historic book for the summer?’ His answer was: ‘With the greatest pleasure!’ Observing that it is ‘a fascinating story about British submarines during the Cold War’ Mr Borówka also related: ‘When I spotted this book on the shelf in the supermarket and recognized the author’s name on the cover, I made the decision to purchase in a split second. Iain Ballantyne is a writer few people in Poland have heard of (as far as I know “Underwater Hunters” is his first book translated into Polish). This author is, though, widely known elsewhere, and for dealing with the history of the Royal Navy at war.’

Mr Borówka mentions one of my other books (‘Warspite’), which he has read and also recommends to anyone with an interest in such things. This leads him on to mention that the ‘modern submarine’ successor of the WW1 and WW2 battleship Warspite (main player in the above book) is featured in ‘Underwater Hunters’.

After observing that Cold War era British submariners ‘often rubbed shoulders with death’ Mr Borówka suggests ‘Underwater Hunters’ reads like ‘a cult techno-thriller.’

It is though, he remarks, ‘one hundred percent based on facts, established through relationships of people who over the years risked their lives in hostile depths of the ocean.’

Magazine spread

According to the ‘HISTORIAXXWIEKU’ blogUnderwater Hunters’ is a book that ‘deserves the attention of all those who are interested in such Cold War, and the history of naval warfare.’

Meanwhile my friend, and fellow UK-based author, Richard Hargreaves – while on a recent research trip for his next book in Poland – found not only copies of his latest book but also ‘Underwater Hunters’ (in a shopping mall bookshop in Lublin, in the south-east of Poland).  Richard’s excellent, visceral epic of the final days of the Third Reich is in the UK called ‘Hitler’s Final Fortress – Breslau 1945’. In Poland it’s ‘Ostatnia Twierdza Hitlera. Breslau 1945’

HK in Lublin‘Underwater Hunters’ on sale in Lublin

The fact that some of the Polish reviews and articles have referenced ‘Killing the Bismarck’ is appropriate. The German battleship set out on her ill-fated maiden voyage from Gotenhafen (the Polish port of Gdynia, captured and renamed by the Nazis in 1939 only assuming its previous name again at the end of WW2). I visited Gdynia in 1999, to report on a NATO exercise, staying aboard the US Navy cruiser USS Hue City.

‘Killing the Bismarck’ tells the epic story of the Kriegsmarine flagship’s breakout into the Atlantic, the destruction of HMS Hood and her subsequent destruction at the hands of a Royal Navy battle group.

Bearing in mind the hunger in Poland for military and naval history, I have often thought that  ‘Killing the Bismarck’ deserves a Polish edition, too. Should ‘Underwater Hunters’ prove a success maybe someone will come knocking to put a Polish edition of ‘Killing the Bismarck’ on the market, too?

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